Aston Barrett Jr. Keepin’ The Wailers Torch Burning Strong

Aston Barrett Jr. Keepin’ The Wailers Torch Burning Strong.

 

Aston Barrett Jr. has been playing music most his life. He grew up around some of reggae music’s greatest musicians and comes from the bloodlines of the greatest rhythm section from Jamaica (Father Familyman and Uncle Carly Barrett) and grandfather Joe Higgs.  Aston plays many instruments but his focus and passion is for the bass guitar. Now playing and touring with the Wailers, Aston is keeping the legacy of his fathers and uncles  music alive learning everything he can about uncle’s drumming style and technique.

Recently Aston told me this about his musical focus. “O yes well really am a bass player but as you know Carlton is my Uncle and he’s a Barrett my Full blood Uncle and am here to keep the Barrett sound Alive and to do that i need to learn the old school and the New school then bring it to the next level. So for me to learn more i need as much videos and tapes of both my Father and Uncle to keep it and to teach it. Because Its Positive Muzic. I spell music with a Z because its Powerful its not sick lol as my father would say”.

 

From Aston’s myspace page:

I BEGAN SHOWING A SERIOUS INTEREST IN MUSIC FROM THE AGE OF SIX. WITH ALL THE MUSIC AROUND ME ALL THE TIME FROM A YOUNG AGE I WAS DESTINED TO BE DRAWN TO IT.

I PLAY A NUMBER OF DIFFERENT INSTRUMENTS, BUT THE BASS GUITAR IS MY PASSION – FOLLOWING IN THE FOOTSTEPS OF MY FATHER. I TAUGHT MYSELF HOW TO PLAY THE BASS, JUST FROM WATCHING MY FATHER IN ACTION WHETHER IN PERSON OR SOMETIMES FROM WATCHING VIDEO TAPES OF THE WAILERS LIVE PERFORMANCES.

I HAVE AN EAR FOR MUSIC. MUSIC IS IN MY BLOOD. I WAS BORN FOR MUSIC. I LIVE FOR MUSIC.

You can check Aston on tour with The Wailers.

The “Revolution Tour”

The Wailers will perform a set that includes their more socially conscious material including “Get Up, Stand Up” “War” and songs of that nature.

Here’s the West Coast dates and towns plus you can look at the complete tour dates here  http://wailers.com/home

01.13.12 8:00 pm
The Canyon Theatre
Agoura Hills, CA

01.14.12 9:00 pm
Moe’s Alley Blues Club
Santa Cruz, CA

01.15.12 8:00 pm
The New Parish
Oakland, CA

01.17.12 8:00 pm
Crystal Ballroom
Portland, OR

01.18.12 8:00 pm
Neumo’s
Seattle, WA

01.19.12 8:00 pm
The Venue Vancouver
Vancouver, BC

01.20.12 7:59 pm
The Knitting Factory – Spokane
Spokane, Washington

 

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Joe Higgs, The Father of Reggae

 From my Joe Higgs Tribute Page . Below is a piece by Marcia Higgs and also info. from Wiki.

Who is JOE HIGGS and why was he dubbed

“FATHER OF REGGAE?” 
– Marcia Higgs

According to reggae music history, in the early 1950s through 1960s, when it was virtually impossible for the residents of TRENCH TOWN and other neighboring communities to even be considered for “menial” jobs in Jamaica’s main-stream work force, it was JOE HIGGS that these “other” underprivileged ghetto outcasts would ultimately turn to for musical guidance. Though a youth himself at the time, this self-taught musical prodigy was said to have converted his 19 THIRD STREET, TRENCH TOWN, tenement backyard into a sort of musical training camp, where he would teach his peers some of the lessons
he had learned. These music lessons, or “jam-sessions” as they were commonly called, were often rigorous in voice technique, breath control, harmony structuring, effective song-writing, and of course, learning to play the “box” guitar.


 Joe Higgs (born Joseph Benjamin Higgs, 3 June 1940 – 18 December 1999) was a reggae musician from Jamaica. In the late 1950s and 1960s he was part of the duo Higgs and Wilson together with Roy Wilson. He was a popular artist in Jamaica for four decades and is also known for his work tutoring younger musicians including The Wailers and Jimmy Cliff.

Higgs was instrumental in the foundation of modern Jamaican music, first recording in 1958 for producer and businessman (and later Jamaican Prime Minister) Edward Seaga, both as a solo artist and with Roy Wilson. He is often called the “Godfather of Reggae”. His first release (with Wilson) was “Oh Manny Oh” in 1958, which was one of the first records to be pressed in Jamaica and went on to sell 50,000 copies. Higgs and Wilson also recorded for Clement “Coxsone” Dodd in the late 1950s and early 1960s. The partnership with Wilson dissolved in 1964 when Wilson emigrated to the United States. Higgs then concentrated on a solo career and also worked with Carlos Malcolm and the Afro-Jamaican Rhythms, before joining Lynn Taitt’s The Soul Brothers as lead vocalist.

Higgs mentored young singers in his yard and began working with Bob Marley in 1959. In fact, it was at one of the informal music lessons Joe Higgs held in Trench Town, that Bob and Bunny Livingston met Peter Tosh.[3][4] Marley acknowledged later on that Higgs had been an influential figure for him, while Higgs described their time together: “I am the one who taught the Wailers the craft, who taught them certain voice technique”. It was Higgs who introduced the Wailers to Dodd in 1963 Higgs has also been described as the “Father of Reggae” by Jimmy Cliff. For a while Higgs toured with Cliff, acting as his bandleader as well as writing songs for Cliff including “Dear Mother”, and also performed with The Wailers on their US tour when Bunny Wailer refused to go on the tour in 1973. Higgs wrote “Steppin’ Razor” in 1967 as his entry in the Festival Song Contest, later recorded by Tosh without crediting Higgs. Higgs later won a court case to establish his rights as composer but never received any profits from the song’s success.

Higgs won the Jamaican Tourist Board Song Competition in 1972 with “Invitation to Jamaica”, released as a single on his own Elevation label, and much of his best-known solo work was issued in the 1970s. Singles included “More Slavery” (released on Micron), “Creation” (Ethnic Fight), “Let Us Do Something” (Elevation), and “World Is Upside Down” (Island). His debut album, Life of Contradiction, had been recorded in 1972 for Island Records, but as Island boss Chris Blackwell felt that it would be difficult to market it remained unreleased until 1975, when it was issued by Micron Music and has been described as “a seminally sophisticated work combining reggae, jazz, and rhythm and blues influences to create a new texture that would have a profound effect on the best Jamaican music to follow”.  As well as The Wailers, Higgs also helped several other singers and groups including The Wailing Souls. His second album, Unity Is Power, was released in 1979 and further singles followed on Cliff’s Sunpower label and Bunny Wailer’s Solominic imprint.His 1983 single “So It Go”, with a lyric critical of the Jamaican government of the day was banned from airplay and led to harassment which would eventually lead to Higgs relocating to Los Angeles, where he lived for the rest of his life. Two further albums were released in the 1980s, Triumph (1985) and Family (1988), and in 1990 he recorded Blackman Know Yourself on which he was backed by the Wailers Band, and includes covers of the Marley/Lee Perry songs “Small Axe” and “Sun Is Shining”. In 1995, his final album was issued, Joe and Marcia Together, a collaboration with his daughter.

A majority of Higgs’ songs were connected to his impoverished life in Trenchtown where he grew up. Higgs considered that it was out of the poverty and violence of Kingston’s shantytowns such as Trenchtown and Johnstown that the reggae music had grown. Before reggae hit big on the western music scene with Bob Marley, it was understood as a “ghetto music”. Higgs was the very first artist out the ghetto music scene to have lyrics which primarily dealt with every day troubles. In his own words:

“Music is a matter of struggle. It’s not good that it’s known you’re from Trenchtown. Reggae is a confrontation of sound. Reggae has to have that basic vibrant sound that is to be heard in the ghetto. It’s like playing the drum and bass very loud. Those are the basic sounds. A classical reggae should be accepted in any part of the world. Freedom, that’s what it’s asking for; acceptance, that’s what it needs, and understanding, that’s what reggae’s saying. You have a certain love come from hard struggle, long suffering. Through pain you guard yourself with that hope of freedom, not to give up…””

Higgs died of cancer on 18 December 1999 at Kaiser Hospital in Los Angeles.[2] At the time of his death he was working with Roger Steffens on an official biography, and had been working on a collaboration with Irish artists for the Green on Black album.He was survived by twelve children, including his daughter Marcia, who is a rapper, and son Peter, a studio guitarist.

In 2007, the Joe Higgs Music Awards were established in his honour.

Tons more pictures and live music on my website tribute to Joe Higgs  HERE

 

 

 Here is a  great interview from the Reggae Beat Radio show from KCRW in Santa Monica, CA

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